Our Drone & Camera Equipment
We offer drones for all types of productions, along with cutting-edge ground cameras and support gear.
DJI Inspire 2 — X5s Camera
A micro 4/3 sensor with 12 stops of dynamic range makes the Inspire 2 X5s the smart choice for productions that need broadcast-grade aerial imagery without the X7 price tag.
- Full set of dedicated prime lenses with remote focus and aperture control
- Records up to 5.2K ProRes and 5.2K CinemaDNG raw — the same capability as the X7 rig
- Silent battery charging onboard our VW 4Motion Transporter between takes
- Live feed to director's monitor and video village as standard
DJI Inspire 2 — X5s Camera
A micro 4/3 sensor with 12 stops of dynamic range makes the Inspire 2 X5s the smart choice for productions that need broadcast-grade aerial imagery without the X7 price tag.
- Full set of dedicated prime lenses with remote focus and aperture control
- Records up to 5.2K ProRes and 5.2K CinemaDNG raw — the same capability as the X7 rig
- Silent battery charging onboard our VW 4Motion Transporter between takes
- Live feed to director's monitor and video village as standard
DJI Mavic 4 Pro
The Mavic 4 Pro is our lightweight workhorse — a sub-1kg drone that punches well above its size with a Hasselblad triple-camera system and 51-minute flight time. Ideal for fast-moving shoots, tight locations, or any production needing quality aerials without the logistics of a larger rig.
- 360° Infinity Gimbal — smooth, unrestricted footage from any angle
- 50MP and 48MP telephoto cameras for versatile focal lengths on a single flight
- Omnidirectional obstacle avoidance for safe operation in complex environments
- DJI RC Pro 2 controller with a 7-inch, 2000-nit screen — fully visible in direct sunlight
DJI Mavic 3 Pro
Three cameras, one aircraft. The Mavic 3 Pro's triple Hasselblad system gives us wide, medium and long focal lengths on a single flight — no lens swaps, no compromises. The go-to choice when productions need versatile aerials without the overhead of a larger rig.
- Three focal lengths in one flight — 24mm wide, 70mm medium tele, 166mm long tele
- 3-axis gimbal with advanced stabilisation for smooth movement at speed
- Omnidirectional obstacle sensing for safe operation in complex environments
- 12km OcuSync 3.0 transmission — reliable signal on large-scale location shoots
- High-quality H.264/H.265 footage — ideal when ProRes isn't a production requirement
DJI Mavic 3 Cine
The Mavic 3 Cine brings broadcast-grade ProRes recording to a compact, highly portable package — making it one of the most cost-effective ways to get a professional drone onto any production. With 46 minutes of flight time and full omnidirectional obstacle sensing, it's as capable indoors as it is on wide open locations.
- 5.2K ProRes on the main 24mm Hasselblad camera — broadcast quality out of the box
- H.264 and H.265 recording in both D-Log and Normal colour modes
- Secondary camera with up to 28x zoom — versatile reach without changing aircraft
- Full omnidirectional obstacle sensing — safe for indoor flights and confined spaces
DJI Mavic Mini 5 Pro
The Mini 5 Pro packs a 1-inch sensor and 14 stops of dynamic range into a sub-250g frame — giving productions broadcast-capable aerials with minimal regulatory overhead. Vertical shooting, subject tracking and LiDAR obstacle sensing make it as versatile as drones twice its size.
- Sub-250g — operates under lighter CAA regulatory requirements, reducing restrictions on where and when we can fly
- 10-bit D-Log M and HLG colour modes — full grading flexibility in post
- Med-Tele Mode (~48mm, 2× zoom) for tighter subject framing without changing aircraft
- 225° gimbal roll + True Vertical Shooting — native portrait orientation with no crop for social deliverables
- LiDAR forward sensing and omnidirectional obstacle avoidance — safe in low light and complex environments
- ActiveTrack 360° subject tracking with obstacle avoidance — ideal for talent or vehicle follow shots
- 42GB internal storage + microSD — fast offload via WiFi 6 QuickTransfer on location
DJI Avata 2 — FPV Drone
The Avata 2 brings FPV filmmaking into productions safely and accessibly. Where conventional drones circle and establish, the Avata 2 threads through architecture, weaves between trees, or tracks fast-moving subjects with a visceral, immersive quality that no other aircraft can replicate. Stable enough for broadcast straight out of camera, with GyroFlow post-stabilisation available for ultra-smooth results.
- 48MP stills in JPEG and RAW — 4K video in H.264 and H.265
- 10-bit D-Log M for full colour grading flexibility in post
- Horizon Steady technology — level, stable footage even through dynamic manoeuvres
- GyroFlow compatible — additional post-stabilisation for ultra-smooth results
- Safe for indoor flights and tight spaces — ideal for location work requiring creative angles impossible with a conventional drone
EcoFlow Mini Portable Power Station
Silent, portable power for location shoots — no generator noise, no mains dependency. The EcoFlow Mini keeps all our equipment charged and ready throughout a full shooting day, recharging from the 12V socket in our vehicle between setups.
- Silent operation — no generator noise on set, no interference with location audio
- Recharges from our vehicle's 12V socket while in transit between locations
- Weighs just 1.5kg — compact enough to carry to any location or fit in a camera bag
- Keeps drone batteries, monitors, controllers and accessories powered throughout the day
- Ideal for remote or off-grid shoots where mains power isn't available
DJI Ronin 4D — Ground Camera System
Our ground-based cinema rig. The Ronin 4D pairs a full-frame Zennmuse X9 camera with 4-axis stabilisation that eliminates the bobbing and shake of conventional gimbals — delivering buttery-smooth footage whether walking, running or navigating uneven terrain. Paired with the Tilta Float system, it matches the cinematic quality of our aerial work on the ground.
- 4-axis stabilisation with active Z-arm — eliminates bobbing on handheld and moving shots
- LiDAR autofocus with 43,000 laser points — accurate subject tracking to 10m in any light
- Dual-native ISO 800 / 5000 — clean image in low-light environments
- Wireless video transmission to director's monitor and video village up to 20,000ft
- Lenses included: 16mm · 24mm · 35mm · 50mm prime
Canon R5 — Full Frame Mirrorless
Our ground-based stills and video camera. The R5's 45MP full-frame sensor and in-body stabilisation ensure the same visual quality on the ground as our aerial work in the air — sharp, detailed, and consistent whether shooting stills for editorial or video for broadcast.
- 45MP full-frame stills — editorial and print quality as standard
- In-body image stabilisation — stable handheld footage without additional support rigs
- Dual Pixel autofocus with subject and eye tracking for reliable focus on talent
- HDMI, USB-C and headphone jack — clean connectivity for professional monitoring workflows
- Lenses: 16mm f/2.8 STM · 35mm f/2.8 STM · 24–110mm f/4–7.1 STM
- Audio: Røde VideoMic auxiliary · Røde Wireless GO II wireless lapel system
- Lighting: Canon 580EX II Speedlite
DJI Ronin SC2 Gimbal
A lightweight 3-axis gimbal that turns any of our mirrorless cameras into a fluid, cinema-style motion system. The SC2 eliminates camera shake on walking shots, vehicle mounts and dynamic handheld moves — paired with a 5-inch Blackmagic monitor for real-time on-set monitoring.
- 3-axis motorised stabilisation — smooth, shake-free footage on any movement
- Compatible with Canon R5 and Lumix S5 — flexible camera pairing to suit the production
- 5-inch Blackmagic monitor included — real-time footage review for operator and director
- Compact and fast to deploy — ideal for documentary, corporate and fast-turnaround shoots
Hague K5 Camera Jib
The K5 jib adds sweeping crane moves and elevated angles to any ground shoot — the kind of shots that would otherwise require a full-size crane and crew. Lightweight, fast to set up, and capable of carrying up to 5kg, it integrates seamlessly into a lean production workflow.
- 5kg payload capacity — supports our full mirrorless camera and lens combinations
- Sweeping crane moves and elevated angles without the cost or logistics of a full crane
- Compact and lightweight — packs down quickly and transports in our vehicle alongside other kit
- Fast setup — minimal time on location, ideal for fast-paced production schedules
Portable LED Studio Lighting
A full portable studio lighting package that travels with us to any location. From high-output key lights to diffused panels, strobes and colour-changing tubes, we have everything needed for interviews, product shoots, studio photography and green screen work — without the need for a fixed studio.
- Nanlite Forza 500 — high-output LED monolight for powerful key lighting in any environment
- Nanlite FS-300 — large-format soft LED panel for natural, diffused fill light
- Large softboxes — even, flattering light for interview setups and portrait work
- Neewer LED panels — flexible supplementary lighting for fill, background or accent use
- Elinchrom strobe lights — freeze motion crisply for high-speed stills photography
- Nanlite Pavotube 4ft colour tubes (pair) — RGB colour-changing tubes for creative background and accent lighting
- Mid-size popup green and blue screen backgrounds — ready for chroma key and compositing work